Treasure Island

The premiere of 'Treasure Island' (2026) embarks on a familiar journey with a fresh, albeit divisive, approach to Robert Louis Stevenson's classic tale. The series immediately distinguishes itself by significantly expanding the role of Jim Hawkins' mother, Bess (Hayley Atwell), and endowing young Jim (Tom Sweet) with a photographic memory, changes that critics found either intriguing or detrimental to the source material. While these alterations aim to modernise the narrative, they often contribute to a muddled plot and inconsistent pacing, leading to a storytelling experience that feels uneven and at times disconnected from its core motivations.

Visually, the series is a more consistent success. The cinematography and direction are frequently praised for creating a handsome and dazzling aesthetic, with dynamic camera work and strong production values that evoke a grand sense of adventure. The production design, including sets and costumes, contributes significantly to an authentic 18th-century atmosphere, with filming locations in the UK and Tenerife adding to the visual spectacle.

However, it is the performances that truly stand out. David Oyelowo delivers a compelling and charismatic portrayal of Long John Silver, often described as a "force of nature" whose presence elevates every scene. Hayley Atwell also receives widespread acclaim for her spirited depiction of Bess Hawkins, consistently bringing depth to her expanded role.

Despite these strong individual performances, the writing struggles to fully integrate the new narrative elements, leading to a premiere that, while visually engaging and well-acted, ultimately feels like a mixed bag due to its narrative inconsistencies and deviations from the beloved original. The background sound and music adequately support the atmosphere without drawing significant attention, serving their purpose without notable strengths or weaknesses.