They Wait in Shadows, directed by Sam Mason-Bell, delves into the dark corners of family trauma and repressed guilt, manifesting them as literal monsters. The film centres on two estranged sisters, Ingrid and Jenny, who return to their childhood home after their mother's death. Their reunion is complicated by a resurfaced Ouija board, which acts as a catalyst for the return of childhood terrors.
The premise effectively grounds supernatural horror in psychological distress, exploring themes of abuse, grief, and PTSD. The performances of Jessica Hunt and Meghan Adara as the estranged sisters are a significant strength, conveying a palpable chemistry and the nuanced dynamic of sibling estrangement. Their interactions often feel authentic, providing an emotional core to the narrative.
The film's aesthetic is noted for its lurid, grimy quality, reminiscent of 1980s low-budget British horror, and the practical creature effects are praised for their handmade, tangible feel. However, the film struggles with uneven pacing, particularly in its middle section, where scenes can feel drawn out without sufficient character development. The dialogue, while sometimes realistic, can also become wearing due to relentless bickering.
The narrative's reliance on depicting men as solely cruel and abusive is also noted as a potential weakness, sometimes serving as a shortcut for dramatic impact rather than meaningful exploration. The ending is described as making little sense, further undermining the film's overall coherence. Despite these flaws, They Wait in Shadows offers a commendable attempt at blending psychological horror with creature features, bolstered by strong lead performances and a distinct visual style.
It may not reinvent the genre, but its dedication to classic horror tropes and practical effects makes it a respectable, if imperfect, entry.
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