Monsters of God

The focus on the real-life feud provides a strong hook, suggesting that the series will delve into the psychological aspects of these “monsters of God” rather than just the mechanics of their trade. While some critics have noted a certain dryness or linearity in the storytelling, the inherent intrigue of the subject and the compelling nature of the characters largely overcome these minor pacing concerns. The documentary avoids the overt sensationalism sometimes associated with the genre, opting instead for a more grounded, albeit still dramatic, exploration of its subjects.

The early episodes effectively build a sense of anticipation around the escalating conflict between Molt and Crutchfield, making it clear that the “monsters” in the title refer to the human players rather than the reptiles themselves. The series appears to be meticulously researched, presenting a detailed account of the origins and evolution of exotic animal smuggling. For viewers who appreciate true crime with a focus on character-driven narratives and a slightly more subdued, yet equally gripping, approach than its more flamboyant predecessors, “Monsters of God” offers a promising start.

This early instalment suggests a thoughtful, if at times unsettling, look into a hidden world.