F1 (2025)
Movie Review: 3/5
Entertainment Value: Yes
Story: Decent
Writing / Plot: Average
Storytelling: Below Average
Direction: Very Good
Design / Editing: Very Good
Acting: Good
Sound / Music: Very Good
A technically impressive racing drama with thrilling spectacle, but its narrative and character depth often take a backseat to speed.
Movie Review: 3/5
Entertainment Value: Yes
Story: Decent
Writing / Plot: Average
Storytelling: Below Average
Direction: Very Good
Design / Editing: Very Good
Acting: Good
Sound / Music: Very Good
Yes. HB Reviews rates it 3/5 and considers it entertaining overall.
A technically impressive racing drama with thrilling spectacle, but its narrative and character depth often take a backseat to speed.
Joseph Kosinski’s *F1* delivers a high-octane spectacle that capitalises on its premise: a visually immersive dive into the world of Formula 1 racing. The film follows Sonny Hayes, a retired racing legend played by Brad Pitt, who is coaxed out of retirement to mentor a young, ambitious driver while pursuing one last shot at glory. The premise is familiar—echoing the structure of *Top Gun: Maverick* but with the roar of engines rather than fighter jets—yet Kosinski’s direction ensures the racing sequences are undeniably thrilling.
The cinematography and editing create a palpable sense of speed, while the production design meticulously recreates the high-stakes environment of Formula 1 with authenticity. However, *F1* is not without its shortcomings. While the racing scenes excel, the screenplay often struggles to match their intensity.
The plot frequently feels secondary to the spectacle, with character development and emotional arcs sidelined in favour of the next high-speed sequence. Sonny Hayes’ personal journey is compelling in theory, but the writing lacks the depth to make his struggles resonate as powerfully as the on-track action. The dialogue, too, leans on well-worn tropes of mentorship and redemption, resulting in a storytelling approach that feels formulaic rather than innovative.
Brad Pitt delivers a solid performance as Hayes, balancing swagger and vulnerability, though his chemistry with Damson Idris, who plays the young driver, is functional rather than electric. The supporting cast, while competent, fails to leave a lasting impression. Where *F1* truly excels is in its technical execution.
The cinematography is a standout, capturing the scale and speed of Formula 1 in a way that feels both visceral and cinematic. The editing maintains a relentless pace, keeping the audience engaged even when the story falters. Hans Zimmer’s score is another highlight, complementing the high-energy sequences with a pulsating, anthemic soundtrack that elevates the racing scenes.
Ultimately, *F1* is a film that thrives on spectacle but occasionally stumbles in its storytelling. It will appeal to fans of racing and high-stakes action, offering a visual and auditory experience that is hard to rival. However, those seeking a deeper narrative or more nuanced character development may find it lacking.
It’s an entertaining ride, but one that could have benefited from a stronger script to match its technical prowess. If you’re in it for the thrills, *F1* delivers; if you’re hoping for a more layered drama, it may fall short.
Racing legend Sonny Hayes is coaxed out of retirement to lead a struggling Formula 1 team—and mentor a young hotshot driver—while chasing one more chance at glory.
Story source: TMDbOfficial IMAX® 1.90 Trailer 2
Digital release timing and streaming availability data from TMDB and JustWatch, supplemented by verified official platform sources. Platforms vary by location and can change.