Cupertino

Robert and Michelle King's latest offering, 'Cupertino', establishes itself as a compelling legal drama from its opening two episodes, tackling the highly relevant and often unsettling world of artificial intelligence and Big Tech. The series centres on a scrappy legal firm taking on powerful Silicon Valley giants, a premise that feels particularly urgent and well-executed. The writing is consistently praised as sharp and intelligent, characteristic of the Kings' previous work, blending intricate legal procedural elements with a keen eye for contemporary issues.

The narrative unfolds with a brisk pace, ensuring that the complex themes of corporate exploitation and the ethical dilemmas of AI are digestible and engaging for a broad audience. While specific details on dialogue are less frequently highlighted, the overall storytelling is effective, maintaining a balance of serious legal battles with moments of wit and character-driven humour. Visually, the series is described as slick and polished, suggesting competent cinematography and direction that serves the modern, high-stakes setting.

Production design and editing contribute to a professional and immersive experience, though these elements are generally noted for their overall effectiveness rather than groundbreaking innovation. The performances are a significant strength, with Mike Colter leading a capable cast. His portrayal of Michael Price, the attorney fighting for justice, is consistently lauded, and the ensemble cast is noted for their strong chemistry and engaging character work.

However, the background sound and music, while functional, do not receive specific critical attention in the initial reviews, suggesting they competently support the narrative without being a standout feature. Overall, 'Cupertino' successfully blends timely social commentary with an entertaining legal procedural format, making it a noteworthy addition to the broadcast drama landscape.